Detaching Idea from Identity – Pop-Culture Track
The Spectacle and the Self In the age of podcasts, documentaries, and viral threads, real‑life controversies become content. Are we […]
Section 1
In this section, we examine the genesis of our beliefs and thought processes – whether they are rooted in facts, past choices (your past or the past of the people closest to you), media, and so on. We question whether the belief or the thoughts of an individual can be separated from them, how we are persuaded as adults, and whether having a strong belief system, no matter which direction it may lie, can bring freedom or entrapment.
Detaching Idea from Identity – Pop-Culture Track
The Spectacle and the Self In the age of podcasts, documentaries, and viral threads, real‑life controversies become content. Are we
Detaching Idea from Identity – Politics Track
The System and the Self If a person’s convictions are partly built by the systems around them, how much of
Detaching Idea from Identity – Politics Track
This month, we ask: Once you know who said it or did it, can you still hear the idea clearly? From cancel culture to artistic legacy, from political betrayal to personal friendship – when is detachment healthy, and when is it impossible?
Over three tracks, we will not find a single answer. Instead, we learn to hold complexity without collapsing into cynicism.
Detaching Idea from Identity – Politics Track
The System and the Self If a person’s convictions are partly built by the systems around them, how much of
Detaching Idea from Identity – Politics Track
The System and the Self If a person’s convictions are partly built by the systems around them, how much of
The Weight of the Believer – Cinema Track
The Frame and the Felon: Monster (2003) Patty Jenkins’ Monster refuses to show Aileen Wuornos as a pure villain or a pure
The Weight of the Believer – Cinema Track
We often judge people by their beliefs, yet we also preach to “hate the sin, love the sinner.” This month, we untangle the knot between identity and ideology. Can a brilliant idea born from a flawed person still be valuable? Does a tangible belief become negligible if its holder is a ‘Societal Antagonist’? Through political case studies, pop‑culture scandals, and the film ‘Monster’, we ask whether beliefs float free – or drag us down with them.
The Weight of the Believer – Cinema Track
The Frame and the Felon: Monster (2003) Patty Jenkins’ Monster refuses to show Aileen Wuornos as a pure villain or a pure
The Weight of the Believer – Cinema Track
The Frame and the Felon: Monster (2003) Patty Jenkins’ Monster refuses to show Aileen Wuornos as a pure villain or a pure
